On a surface level, it's not hard to see what other scenes (besides the twilight duet) in the film pull from Singin' in the Rain.
In one sequence, Sebastian (Gosling) and Mia (Emma Stone) stroll past an active movie set. the ones specifically that I was looking at were the ending of An American In Paris, or "Broadway Melody" in Singin' In The Rain, or the kind of Mickey Spillane dream ballet in The Band Wagon." The thing is, the intertwining goes much deeper than just onscreen references.
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The second encounter was in a brief break between dance pieces. The pale Englishman who became a sex god, the guy with the London accent and the surprisingly soft voice. So, he's doing his job, and I'm doing mine, and I've learnt the plot of his new show (guy searches for love all round the world and finally finds the right girl, who, presumably, I've just glimpsed) and the fact that it came about at the suggestion of impresario Raymond Gubbay, who had been offered the entire Richard Rodgers (of Rodgers and Hammerstein) back catalogue for somebody to create a dance show to, and the fact that Cooper finds doing the choreography and dancing "really hard" because he's "a bit of a control freak".
Moments later, however, he's on the stage, whirling and twirling a gorgeous young woman to the chords of that jaunty Richard Rodgers song, clasping her to him and wrenching her, finally, into a long, lingering snog. All in that micro-moment of moving from a seat to a stage. I don't know what David Beckham is like away from his Calvin Klein ads and his Hello! I've learnt that "the emotional pull of a scene" matters more to him than being "a perfectionist from a technical point of view" and I've suggested that the show, which is built up of six different styles of dance, ranging from Russian folk dance to New York jazz and Viennese waltzes must be a way of drawing together almost every aspect of his extraordinarily wide-ranging dance career and been told that "it does and it doesn't", because it has no contemporary dance in it, and no strict ballet, and no singing which he also now does.
In my first encounter with Adam Cooper, he's handsome, sexy and charming. " he says, and I find myself lost in a reverie, humming a happy tune that has me recast as Deborah Kerr to his Yul Brynner, spinning around in jewel-coloured silks as feisty governess to the offspring of a king.
The Singing Group Council is a group of four dedicated senior Co-Chairs who work with the Yale administration and SGC affiliated groups to oversee the rush process.
Ballet dancers, according to the conventional wisdom of a rigidly conventional world, emerge from the womb dreaming of pliés and arabesques, tutus and tights.
They are happy to sacrifice their childhoods, and their lives, for that moment when an artistic director will anoint them as a Romeo or a Spartacus or a swan.
While soaking in the sweet romance of a lovely film like La La Land, it's nearly impossible not to think of the musical movie classic, Singin' in the Rain.
That sunset scene alone is positively dripping with memories of of Old Hollywood.